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  GLORIA BORNSTEIN
   
 
2002
1998
1994
1994
1991
1990
1987
1986


1984-86
1986
1985
1984
1980
1977

Concupiscence
Bliss
Gauging
Chatter
Shore Viewpoints
Banishing the Poets
E Pluribus Unum
Columns: A Narration of Past and Current Events with Characters Dislodged
Green River Trilogy
Porno-Graphos
Run From a Man Named Climax
Maids in a Row
Soupkitchenwork
Public Document

“Art is meeting the other -in the stranger and myself”

I am fascinated by the confluence of art and psychoanalysis. My artwork has its roots in the unconscious mind - in teasing out patterns of remembering and forgetting. Thus my artworks are discourse-specific rather than medium-specific, interpreting narratives in different fields of issues.

"The same themes drive both bodies of work, as her public art connects the threads from outside to inside the web of her creativity"…."The connective tissue in all Bornstein’s public works, as she chronicles the processes of change in place and tries to reconcile humanity and the rest of nature, are the “hidden voices” she seeks to make heard". This impulse is perhaps best expressed in Neototems once its initially elusive meaning becomes clear. The whales symbolize an intelligence and visceral connection to their human viewers, above and below primal water and, in the legend, above and below primal ground. They evoke in turn the subterranean song, or subtexts, that underlie much of Bornstein’s work – issues of abuse and violence against people, places, and creatures, the theme of home, or lack thereof, and the possibilities of healing."
Lucy Lippard, Sliding into Place, 1998

   





© Gloria Bornstein 2006