| |
|
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Education |
| 1979 |
MA Psychology, Antioch University, Seattle,
WA |
| 1976 |
Visual Arts, University of California, San
Diego, CA |
| 1962 |
Printmaking with SW Hayter, Atelier 17, Paris,
France |
| 1958 |
BA in Art and Education, Hunter College, New
York |
| |
|
| |
Professional Experience,
Commissions |
| 2010 |
Northshore Fire Station 51, Kenmore,WA |
| 2009 |
Proposal for Lynnwood
Recreation Center, Lynnwood, WA |
| 2009 |
Proposal for City Park,
Beaverton, WA |
| 2009 |
Proposal for the City
of Port Townsend, WA |
| 2009 |
Walk to the Mountain,
Harborview Hospital Streetscape, University of Washington, 4Culture,
Seattle, WA. |
| 2008 |
Sentinels, Fire Station
10 Center, Office of Arts & Cultural Affairs, Seattle, WA. |
| 2008 |
Storm Patterns, Monroe, WA, Washington State
Arts Commission, Olympia, WA |
| 2008 |
Sculptures at Mauna
Kea Bluffs, Hawaii. |
| 2008 |
Proposal for Brightwater Treatment Center,
4Culture, Seattle, WA. |
| 2007 |
Proposal for University of Colorado Medical
Center, Colorado Council for the Arts, CO. |
2007
|
Proposal for Mc Laren Park, San Francisco
Arts Commission, San Francisco, CA. |
2007
|
Proposal for Daedalus Labyrinth, Long Beach
Arts Council, Long Beach, CA. |
2006
|
Monument to the Last Barn, Emma Prusch Park,
San Jose, CA, San Jose Office of Cultural Affair. |
2003
|
Field of Wishes, Olympic College, Shelton,
Washington, Washington State Arts Commission. |
| 2003 |
Recharge Chambers, Regional Communications
and Emergency Coordination Center, Renton, WA. Public art 4Culture,
WA. |
2002
|
Neototems Childrens Garden, Seattle Center,
Seattle, WA. Office of Arts and Cultural Affairs. |
2002
|
Speed the Plow, Puyallup Rail Station, Puyallup,
WA, Sound Transit. |
2001
|
Lineup, Celebration Park, WA. Federal Way
Arts Commission, WA. |
1998
|
From One to Z, Eastern Washington University,
Cheney, WA, Washington State Arts Commission. |
1996
|
Hickory Dickory Clock, Tokyo, Japan (with
Azabu Juban Neighborhood Arts Association). |
1995
|
International Fountain & Plaza, Seattle
Center, Seattle, WA , Seattle Arts Commission, WA. |
1995
|
Neototems, Seattle Center, Seattle, WA, Seattle
Arts Commission. |
1991
|
Shore Viewpoints, Seattle, WA, Seattle Arts
Commission. |
1990
|
Banishing the Poets, Socrates Sculpture Park,
New York. |
| 1982 |
Permutations on the I Ching, Alexis Hotel,
Seattle, WA. |
| |
|
| |
Public Art Planning and Design Experience |
| 2005 |
Lead artist for Fire Station 10 Center: Commissioned
by the Office of Arts and Cultural Affairs, Seattle, WA to develop
the arts plan, “Different Voices, One Community”,
that identified locations for other artists and a proposal for
the artwork, Sentinels. |
| 2001 |
Potlatch Trail Master Plan, Seattle WA: Commissioned
by the Office of Arts and Cultural Affairs to develop “Artwork
Concept Plan for the Trail Connecting Elliott Bay and South
Lake Union” for a city-wide walking-bike trail. |
| 2001 |
Sound Transit, Puyallup Rail Station, Puyallup,
WA: Commissioned by Sound Transit to develop a comprehensive
art plan that included a sculpture garden and revitalized the
historic downtown. |
| 1991-93 |
Lead Artist for the Seattle Center International
Fountain and Park area: Commissioned by the Seattle Arts Commission
to develop the Arts Plan for a mixed-use park that includes
The Childrens Theater, Experience Music Project, and Key Arena.
|
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|
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Selected One Person Exhibitions |
| 2009-10 |
you've been confirmed as queen, Carole Fuller,
Seattle, WA |
2002
|
Gloria Bornstein: Still Life, Documents Northwest,
Seattle Art Museum, Seattle, WA |
1999
|
Gloria Bornstein, Retelling 1975-1998, Bellevue
Art Museum, Bellevue, WA |
1994
|
Chatter, Henry Gallery, University of Washington,
Seattle, WA |
1990
|
Playing Alive , Fuller-Elwood
Gallery, Seattle, WA |
1989
|
Works in Progress, Fuller-Elwood
Gallery, Seattle, WA |
1988
|
Gloria Bornstein, Fuller-Elwood
Gallery, Seattle, WA |
| 1987 |
Columns: A Narration
of Past & Current Events with Characters Dislodged, Seattle
Pacific University, Seattle, WA |
1980
|
Soupkitchenwork, Seattle
Arts Commission, WA |
| 1977 |
Public Document, and/or
Gallery, Seattle, WA |
| |
|
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Selected Invitational Group Exhibitions |
| 2009 |
Surrealist Impulse, Recent Acquisitions, Tacoma
Art Museum, Tacoma, WA |
| 2003 |
Contemporary Art: Recent Aquisitions, The
Jewish Museum, New York |
| 2001 |
The Elwood Collection,
Washington State University of Art, Bank of America Gallery,
Seattle, WA |
| 1997 |
Celebrities: Figures
of Worship, Fame, Fortune, Heroism, & Infamy, Bumbershoot,
Seattle, WA |
| 1995 |
Latent August: The Legacy
of Hiroshima and Nagasaki, National Historical Society, SF,
CA Agents of Change; New Views of Northwest Women, Washington
State Convention Center Visions of Seattle, Seattle, WA |
| 1994 |
Public Interventions,
Institute for Contemporary Art, Boston, MA |
| 1987 |
E Pluribus Unum, Homes
for Art, 911 Contemporary Arts And Resource Center, Seattle,
WA |
| |
|
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Teaching and Related Experience |
| 2005 |
Affiliated Faculty, Public Art Program, University
of Washington, WA |
| 2004 |
Artist in Residence
, Pilchuk Glass School, WA |
| 2002-04 |
Instructor, Sculpture
Department, University of Washington, WA |
| 1991-2005 |
Invited Lecturer, University
of Washington Public Art Program, WA |
| 1998 |
Invited Lecturer, Western
Washington University, WA |
| 1980-81 |
Instructor, Visual Performance
Art, Cornish College of the Arts, Seattle, WA. Coordinator of
The Interdisciplinary Performance Art Program, Cornish College,
Seattle |
1980-81
|
Video Producer,
Co-Owner of Intermedia Inc. Seattle, WA |
| 1980-81 |
COCA, Board of Directors,
Seattle, WA |
| 1976-78 |
and/or Gallery, Board
of Directors, Seattle, WA |
| |
|
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Selected Collections |
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The Jewish Museum, New York, New York |
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Seattle Art Museum,
Seattle, WA |
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Microsoft Art Collection,
Redmond, WA |
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King County Arts Commission
Collection , Seattle, WA |
| |
Washington State University,
Elwood Print Collection, Pullman, WA |
| |
Seattle Arts Commission
Portable Works Collection, Seattle, WA, 1998, 1996 |
| |
|
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Honors, Awards, Grants |
| 2009 |
AIA Project of the month: Fire Station 10,
Seattle, WA ,<http://www.djc.com/news/ae/12004766.html> |
| 2004-05 |
Design Excellence Award, Fire Station 10 Replacement,
Seattle Design Commission |
2005
|
4Culture Art Planning
and Site-specific website, Seattle, WA |
2005
|
Lead artist for Fire
Station 10 Center, Seattle, WA |
2005
|
Los Angeles Police Department
Public Art Program’s Police Headquarters Facility Roster,
CA |
2004
|
Office of Cultural Affairs
Artists Roster, WA |
2002,04
|
RACC Artists Roster,
Portland, OR. |
2001
|
King County Artists
Special Projects, Seattle, WA |
2001
|
Artists Trust GAP Award,
WA |
1998
|
Sound Transit Artist
Roster, Seattle, WA, Seattle Arts Commission Artist Roster,
Seattle, WA |
1993,95
|
Seattle Artists Award,
Seattle Arts Commission, Seattle, WA |
1991
|
Lead Artist for the
International Fountain and Park area, Seattle, WA |
1990
|
Artist Trust Visual
Arts Award, Seattle, WA |
| 1990 |
Art Matters Award, New
York, NY |
| |
|
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Books and Video Documentation |
| |
Eyewitness Travel Guide: Pacific Northwest,
page 142, International Book Productions, 2003 |
| |
Still Life, Gloria Bornstein,
Tara Young, Seattle Art Museum Brochure, 2002 |
| |
Gloria
Bornstein, Retelling, 1975-1998, Bellevue Art Museum Catalogue,
1999 |
| |
Lure of the Local, Senses
of Place in a Multicentered Society, Lucy Lippard, New Press,
1998 |
| |
Smiles, Azabu Juban Neignborhood Arts Catalogue,
1996 |
| |
Mapping the Terrain:
New Genre Public Art, edited by Suzanne Lacy, Bay Press, 1995 |
| |
Washington Voices in
Contemporary Sculpture Catalogue, Bellevue Art Museum, 1995
|
| |
New Towns of the World,
Jukan Kawawadoka, Information Design Laboratory, Hakuhoda Inc |
| |
Commissions, 1996 |
| |
KCTS, Gloria Bornstein,
Neototems, 1995 |
| |
Public Interventions,
Video Documentation, ICA, Boston, 1994 |
| |
KCTS, Gloria Bornstein,
Gauging, 1994 |
| |
Interpretive Interventions,
Kenneth Helphand, “Magic Markers”, Yearbook in Landscape
Architecture: |
| |
Historic Preservation,
Richard Austin, et. al. eds, NY, Van Nostrand Reinhold, 1993,
pp 95-102 |
| |
Yokohama Public Arts
Fair, catalog, 1993 |
| |
Historic Preservation, Richard Austin, et.
al. eds, NY, Van Nostrand Reinhold, 1993, pp 95-102 |
| |
Art & its Audience:
A Public Experiment, In Public: Seattle, Seattle Arts Commission
catalog, Eleanor Heartney, 1992 |
| |
Interface/Innerface,
Interpreting the Real, Exhibition Catalogue, Elizabeth Bryant,
1991 |
| |
no mans land, Socrates
Sculpture Park, catalogue, 1993 |
| |
First Impressions: Northwest
Monotypes, Seattle Art Museum, Catalogue, 1989 |
| |
Don’t
Run From a Man Named Climax, Gloria Bornstein, 1986, Artist’s
Book |
| |
Get the Message? A Decade
of Art for Social Change, Lucy Lippard, Dutton, 1984 |
| |
Northwest Projects,
A Documentary Catalog of a Competition And Series Of Exhibitions,
and/or Notes, 1977 |
| |
|
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Selected Bibliography |
| |
From Four Milleniums of Jewish Cultural Life,
Grace Glueck, The New York Times, June 27, 2003 |
| |
Gloria Bornstein: “Still
Life” At the Seattle Art Museum, Susan Platt, Artdish,
July 10, 2002 |
| |
Seattle Center’s
whale numbers grow, Jeri Field, Seattle Post-Intelligencer,
September 2, 2000 |
| |
Bornstein a provocative,
intelligent artist, Robin Updike, The Seattle Times, April 29,
1999 |
| |
Gloria Bornstein: In
and Out of Public Space, Ron Glowen, Art Access, May 1999 |
| |
Gloria Bornstein’s
“Retelling” demonstrates her forceful range, Regina
Hackett, Seattle Post-Intelligencer, 5-7-99 |
|
