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Education |
| 1979 |
MA Psychology, Antioch University, Seattle, WA |
| 1976 |
Visual Arts, University of California, San Diego, CA |
| 1962 |
Printmaking with SW Hayter, Atelier 17, Paris, France |
| 1958 |
BA in Art and Education, Hunter College, New York |
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Professional Experience, Commissions |
2008
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Sentinels,
Fire Station 10 Center, Office of Arts & Cultural Affairs,
Seattle, WA. |
2008
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Sculptures at Mauna Kea
Bluffs, Hawaii. |
2008-10
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Walk to the Mountain, Harborview
Hospital, University of Washington, 4Culture, Seattle, WA. |
2008
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Proposal for Brightwater Treatment Center, 4Culture,
Seattle, WA. |
2007
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Proposal for University of Colorado Medical Center,
Colorado Council for
the Arts, CO. |
2007
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Proposal for Mc Laren Park, San Francisco Arts
Commission, San Francisco, CA. |
Proposal for Brightwater Treatment Center, 4Culture, Seattle, WA
2007
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Proposal for Daedalus Labyrinth, Long Beach Arts
Council, Long Beach,
CA. |
2006
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Monument to the Last Barn, Emma Prusch Park, San Jose, CA, San Jose Office of Cultural Affair. |
2003
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Field of Wishes, Olympic College, Shelton, Washington, Washington State Arts Commission. |
| 2003 |
Recharge Chambers, Regional Communications and Emergency Coordination Center, Renton, WA. Public art 4Culture, WA. |
2002
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Neototems Childrens Garden, Seattle Center, Seattle, WA. Office of Arts and Cultural Affairs. |
2002
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Speed the Plow, Puyallup Rail Station, Puyallup, WA, Sound Transit. |
2001
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Lineup, Celebration Park, WA. Federal Way Arts Commission, WA. |
1998
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From One to Z, Eastern Washington University, Cheney, WA, Washington State Arts Commission. |
1996
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Hickory Dickory Clock, Tokyo, Japan (with Azabu Juban Neighborhood Arts Association). |
1995
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International Fountain & Plaza, Seattle Center, Seattle, WA , Seattle Arts Commission, WA. |
1995
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Neototems, Seattle Center, Seattle, WA, Seattle Arts Commission. |
1991
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Shore Viewpoints, Seattle, WA, Seattle Arts Commission. |
1990
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Banishing the Poets, Socrates Sculpture Park, New York. |
| 1982 |
Permutations on the I Ching, Alexis Hotel, Seattle, WA. |
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Public Art Planning and Design Experience |
| 2005 |
Lead artist for Fire Station 10 Center: Commissioned by the Office of Arts and Cultural Affairs, Seattle, WA to develop the arts plan, “Different Voices, One Community”, that identified locations for other artists and a proposal for the artwork, Sentinels. |
| 2001 |
Potlatch Trail Master Plan, Seattle WA: Commissioned by the Office of Arts and Cultural Affairs to develop “Artwork Concept Plan for the Trail Connecting Elliott Bay and South Lake Union” for a city-wide walking-bike trail. |
| 2001 |
Sound Transit, Puyallup Rail Station, Puyallup, WA: Commissioned by Sound Transit to develop a comprehensive art plan that included a sculpture garden and revitalized the historic downtown. |
| 1991-93 |
Lead Artist for the Seattle Center International Fountain and Park area: Commissioned by the Seattle Arts Commission to develop the Arts Plan for a mixed-use park that includes The Childrens Theater, Experience Music Project, and Key Arena. |
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Selected One Person Exhibitions |
2002
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Gloria Bornstein: Still Life, Documents Northwest, Seattle Art Museum, Seattle, WA |
1999
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Gloria Bornstein, Retelling 1975-1998, Bellevue Art Museum, Bellevue, WA |
1994
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Chatter, Henry Gallery, University of Washington, Seattle, WA |
1990
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Playing Alive , Fuller-Elwood Gallery, Seattle, WA |
1989
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Works in Progress, Fuller-Elwood Gallery, Seattle, WA |
1988
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Gloria Bornstein, Fuller-Elwood Gallery, Seattle, WA |
| 1987 |
Columns: A Narration of Past & Current Events with Characters Dislodged, Seattle Pacific University, Seattle, WA |
1980
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Soupkitchenwork, Seattle Arts Commission, WA |
| 1977 |
Public Document, and/or Gallery, Seattle, WA |
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Selected Invitational Group Exhibitions |
| 2003 |
Contemporary Art: Recent Aquisitions, The Jewish Museum, New York |
| 2001 |
The Elwood Collection, Washington State University of Art, Bank of America Gallery, Seattle, WA
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| 1997 |
Celebrities: Figures of Worship, Fame, Fortune, Heroism, & Infamy, Bumbershoot, Seattle, WA
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| 1995 |
Latent August: The Legacy of Hiroshima and Nagasaki, National Historical Society, SF, CA Agents of Change; New Views of Northwest Women, Washington State Convention Center Visions of Seattle, Seattle, WA
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| 1994 |
Public Interventions, Institute for Contemporary Art, Boston, MA
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| 1987 |
E Pluribus Unum, Homes for Art, 911 Contemporary Arts And Resource Center, Seattle, WA |
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Teaching and Related Experience |
| 2005 |
Affiliated Faculty, Public Art Program, University of Washington, WA |
| 2004 |
Artist in Residence , Pilchuk Glass School, WA |
| 2002-04 |
Instructor, Sculpture Department, University of Washington, WA |
| 1991-2005 |
Invited Lecturer, University of Washington Public Art Program, WA |
| 1998 |
Invited Lecturer, Western Washington University, WA |
| 1980-81 |
Instructor, Visual Performance Art, Cornish College of the Arts, Seattle, WA. Coordinator of The Interdisciplinary Performance Art Program, Cornish College, Seattle |
1980-81
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Video Producer, Co-Owner of Intermedia Inc. Seattle, WA |
| 1980-81 |
COCA, Board of Directors, Seattle, WA |
| 1976-78 |
and/or Gallery, Board of Directors, Seattle, WA |
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Selected Collections |
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The Jewish Museum, New York, New York |
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Seattle Art Museum, Seattle, WA |
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Microsoft Art Collection, Redmond, WA |
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King County Arts Commission Collection , Seattle, WA |
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Washington State University, Elwood Print Collection, Pullman, WA |
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Seattle Arts Commission Portable Works Collection, Seattle, WA, 1998, 1996 |
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Honors, Awards, Grants |
| 2004-05 |
Design Excellence Award, Fire Station 10 Replacement, Seattle Design Commission |
2005
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4Culture Art Planning and Site-specific website, Seattle, WA |
2005
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Lead artist for Fire Station 10 Center, Seattle, WA |
2005
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Los Angeles Police Department Public Art Program’s Police Headquarters Facility Roster, CA |
2004
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Office of Cultural Affairs Artists Roster, WA |
2002,04
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RACC Artists Roster, Portland, OR. |
2001
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King County Artists Special Projects, Seattle, WA |
2001
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Artists Trust GAP Award, WA |
1998
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Sound Transit Artist Roster, Seattle, WA, Seattle Arts Commission Artist Roster, Seattle, WA |
1993,95
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Seattle Artists Award, Seattle Arts Commission, Seattle, WA |
1991
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Lead Artist for the International Fountain and Park area, Seattle, WA |
1990
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Artist Trust Visual Arts Award, Seattle, WA |
| 1990 |
Art Matters Award, New York, NY |
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Books and Video Documentation |
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Eyewitness Travel Guide: Pacific Northwest, page 142, International Book Productions, 2003 |
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Still Life, Gloria Bornstein, Tara Young, Seattle Art Museum Brochure, 2002
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Gloria Bornstein, Retelling, 1975-1998, Bellevue Art Museum Catalogue, 1999 |
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Lure of the Local, Senses of Place in a Multicentered Society, Lucy Lippard, New Press, 1998 |
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Smiles, Azabu Juban Neignborhood Arts Catalogue, 1996 |
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Mapping the Terrain: New Genre Public Art, edited by Suzanne Lacy, Bay Press, 1995 |
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Washington Voices in Contemporary Sculpture Catalogue, Bellevue Art Museum, 1995
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New Towns of the World, Jukan Kawawadoka, Information Design Laboratory, Hakuhoda Inc |
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Commissions, 1996
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KCTS, Gloria Bornstein, Neototems, 1995 |
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Public Interventions, Video Documentation, ICA, Boston, 1994 |
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KCTS, Gloria Bornstein, Gauging, 1994
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Interpretive Interventions, Kenneth Helphand, “Magic Markers”, Yearbook in Landscape Architecture:
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Historic Preservation, Richard Austin, et. al. eds, NY, Van Nostrand Reinhold, 1993, pp 95-102
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Yokohama Public Arts Fair, catalog, 1993 |
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Historic Preservation, Richard Austin, et. al. eds, NY, Van Nostrand Reinhold, 1993, pp 95-102 |
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Art & its Audience: A Public Experiment, In Public: Seattle, Seattle Arts Commission catalog, Eleanor Heartney, 1992
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Interface/Innerface, Interpreting the Real, Exhibition Catalogue, Elizabeth Bryant, 1991
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no mans land, Socrates Sculpture Park, catalogue, 1993 |
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First Impressions: Northwest Monotypes, Seattle Art Museum, Catalogue, 1989 |
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Don’t Run From a Man Named Climax, Gloria Bornstein, 1986, Artist’s Book |
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Get the Message? A Decade of Art for Social Change, Lucy Lippard, Dutton, 1984
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Northwest Projects, A Documentary Catalog of a Competition And Series Of Exhibitions, and/or Notes, 1977 |
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Selected Bibliography |
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From Four Milleniums of Jewish Cultural Life, Grace Glueck, The New York Times, June 27, 2003 |
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Gloria Bornstein: “Still Life” At the Seattle Art Museum, Susan Platt, Artdish, July 10, 2002
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Seattle Center’s whale numbers grow, Jeri Field, Seattle Post-Intelligencer, September 2, 2000
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Bornstein a provocative, intelligent artist, Robin Updike, The Seattle Times, April 29, 1999
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Gloria Bornstein: In and Out of Public Space, Ron Glowen, Art Access, May 1999
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Gloria Bornstein’s “Retelling” demonstrates her forceful range, Regina Hackett, Seattle Post-Intelligencer, 5-7-99 |
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